Thursday, August 9, 2012
Bastard Reaction: By a Thread by Jennifer Estep
What's next for Gin Bianco? The previous installment, Spider's Revenge, ended an arc that could have been series ending. Author Jennifer Estep decided to extend the series, and we're left wondering in what direction the Elemental Assassin series will be going next. By a Thread, the sixth novel in the series, doesn't really answer those questions yet, but it seemed to me that it was the perfect installment that will work as a bridge for what's to come next.
Gin has retired from her Spider duties. At least that's what she's been telling herself for a while now. She's trying to live as normal a life as she can, running the Pork Pit diner. Of course, with the occasional asshat trying to make a name for himself by attempting to kill the infamous Spider and failing at it. It's decided she's going on a vacation with her sister Bria, and they go visit the town where she grew up. They're both forced to face the truth about their relationship, and some of the lingering resentment that they may feel towards each other. Add to that some of the jealousy overwhelming Gin as she sees Bria interacting with some of her best friends, ruining what was supposed to be a promising vacation between sisters. Luckily for Gin, some unsavory people start muscling in on Bria's friends and an old acquiescence makes a return to the scene. What's a vacation without Gin doing what she does best: make people dead.
I've been a big fan of this series, so it was with some trepidation that I began reading By a Thread. I've been of the opinion that in order for this series to move forward, Estep had to finish the arc that began with Spider's Bite and find new story-lines to follow. That done, the author finds herself in a tricky cross-road as the rest of the series will depend on the setup that may be found in By a Thread. What we found instead was a novel that looked to close any loose ends from the previous quintet, while giving options of where to go next without committing to any.
Critics of Estep's writing should be glad to know that I found this novel to be the best written in the series since Spider's Bite from a technical standpoint. Maybe it was due to circumstances, but it was apparent to me that Estep has improved her craft. I think it was mostly evident on how repetition and recapping was very much minimized compared to the previous installments and, to a degree, non-existent. The novel simply read and flowed better to me.
One thing I'd point out though is that I think the series could use less flashbacks. Many of the times they really don't add anything new, and much of what is introduced can be inferred. I still like some of them though as they expand on the mythology already presented and gives our characters more depth, but for books like these that aren't long, I think shorter and less frequent flashbacks would be for the better.
Story-wise, I don't think this installment was as strong as the previous ones. I think that's to be expected and something I easily accepted as a necessity as we transition to the next portion of the series, also considering the climactic event in the previous novel. The main of it was that a lot of time was spent adjusting to the new situation and new locations, and we were well into the novel when the book specific predicament began to develop. One of the consequences of this was that once we are faced with the adversaries, we're pretty much close to the climax and the conclusion of the novel, and I was left wanting a bit more of it. On the other hand there was more focus than before on Gin and Bria's relationship, which was the main catalyst of the story this time around, when it was usually mostly about Gin and the case she was working on. So on that regard, this novel was stronger than the previous ones as far as interpersonal relationships and the drama that accompanied it.
Not to be missed was the usual abundance of kickass scenes. Gin is such a pleasure to have as a narrator when action is about, and Estep didn't disappoint on this regard. I'd like to mention that there was one particular scene that was just disturbingly amazing, and it involved just a little bit of bloodsucking. One of the best I've read of that particular nature.
Jennifer Estep has once again written a solid installment in the Elemental Assassin series. By a Thread being a novel that worked as a great aftermath to the previous arc, having Gin faced with some of the lingering demons that still threaten the semblance of peace she has been striving to create for herself and those she cares about. Demons that prevent her from moving forward to live the life she wants, but thinks she doesn't deserve. Old wounds keep her restrained, and she's also faced with new concerns she doesn't know how to handle, and they test the small amount of good she has going for herself. As the novel is aptly named, relationships, life, and mental health all are hanging for dear life "by a thread". It's up to Gin to become resolute and make peace with herself to have a fighting chance to tackle her current predicaments.
By a Thread takes on a journey of self-exploration now that Gin has lost her compass, what she thought to be her life's goal as she struggles to cope and to keep what's left in her life. It's a novel that intends to remedy and heal, and if it fails, Gin's journey would have been for naught. At least in her eyes. Regardless of how it all played out, the stage has been set, and we get a satisfactory conclusion to the story so far as I'm sure many will get a kick out she goes about solving some of those lingering problems. We're ready to move forward. It's time to join Gin in her new adventures, and very much looking forward to what's coming next. It starts with Widow's Web coming out soon, and I've already reserved my copy.
Buy By a Thread from The Book Depository.
Please visit Jennifer Estep's website for more information and short stories set in the Elemental Assassin universe.
Monday, August 6, 2012
Guest Post & Giveaway: Vigilare series by Brooklyn James
After completing my first book, Vigilare, in the Vigilare trilogy, I thought I had written a detective mystery with a paranormal spin. Lo and behold, my surprise, when I kept reading reviews referring to my novel as a THRILLER. I had no idea I was that exciting!
Gabino Iglesias of the Austin Post said, “Vigilare
walks the line between a thriller and a supernatural adventure while safely
anchored in a scientific discourse around blood that James put together so well
that it's reminiscent of a Douglas Preston or Michael
Crichton novel. With action, romance, a strong female hero and a
likeable group of characters, Vigilare
reads like a good action movie.”
After reading his review, followed by a round of celebratory
fist-pumps and Elaine-esque dancing while partaking of my morning Joe, I call
up my Editor, and I say, “How would you classify Vigilare?”
She says, “With all of that action, twist and turns, and a
cliffhanger-ending, you have a Thriller on your hands, my dear.”
With the release of the second book in the series, Vigilare:
Hell Hound, it seems as though I may have found my sweet spot among the
thriller genre. I get questions from readers about my “dark side,” as Vigilare
has been tapped dark and intense. Guess I didn’t realize I was that dark
either, although I have been accused of being partially bionic, juggling a
plethora of handles, author/singer/songwriter/nurse/novice mechanic/novice
martial artist/fitness fanatic/artificial insemination technician(beef
cattle)/among other things. You could say I have an interest in most
everything, and am willing to try anything, at least once. It must be the
extremist in me. And I figure everyone has an alter ego, some darker than
others, maybe. If you’re going to go for something, really go for it, right?
In my interview with the Austin Post, Iglesias said,
“Looking at James, a stunning belle with a perpetual smile on her face, it's
hard to picture what would drive her to write a novel
where sexual abuse and death are two crucial and ever-present elements.
However, the author explained that her writing persona and her everyday self
are separate entities. "I'm a glass-half-full kind of girl," James
said. "But when I write, I get into a dark girl frame of mind. That has
always been part of my writing process and I really don't know why." And
truthfully, I’m not that stunning.
Vigilare is set in the town of Vanguard, where
Detectives Gina DeLuca and Tony Gronkowski investigate a string of murders
among the city’s most loathsome population, rapists and pedophiles, of which
the Vigilare is most likely responsible. Problem is, the identity of the
Vigilare is unknown, even to the Vigilare. The detectives, the reader and the
Vigilare find out its identity together. Vigilare, an Italian term, meaning to
watch over, to look out, to protect—is a play on vigilantism. The Vigilare is
the divine avenger. Her fate assigned, not chosen. I was inspired by comic
books and movies, such as Batman and The Punisher. How I love me
some Boondock Saints. The premise of pitting evil against good, and how
good can turn bad, even with the most pure of intentions, gets me excited.
Truly titillating! One of my favorite reviews from an Amazon reader briefed,
“Gotham has Batman. Vanguard has Vigilare!”
My Vigilare’s superpower is grounded in blood, Rh-negative
factor, to be exact. What more formidable opponent than someone whose super
human ability engages with the exposure of her blood to external oxygen? With a
background in Intensive Care Nursing, I knew a bit about blood. After
researching, I knew a lot about blood. The theories I found about Rh-negative
blood and its potential link to the ancient astronauts, or the blood
of the gods was intriguing, mind-blowing even. Basically, with a little
research, my simple premise manifested into a building block of scientific
discourse, delivered to the reader by my sometimes manic, white lab
coat-wearing, spectacle-clad Hematologist, Dr. Godfrey. Makes me wish I had
Rh-negative blood!
Of course, the Vigilare came to be in the form of her past.
As we all do, right? Experiences, whether good, bad or horrifyingly traumatic,
shape us into the people we become. Combine that with a corrupt, power-hungry
government agency, such as ETNA in my book…the equivalent to Sector 5, they
deal in the supernatural…and a fed-up community tending toward the side of the
Vigilare, and you have a city on the verge of a vigilante uprising. It’s a race
to the finish to find out who the Vigilare is, and why she exists. Where one
system fails, another never gives up!
Excerpt from Vigilare:
Her body goes limp momentarily as her blood is
exposed to the air. She lies on her stomach, the man crouches over her, pushing
his pants down around his ankles. He resorts to his same bit, stroking himself
as he pulls at the back of her pants, fully intending to rape her from behind.
Her ears ring and the pulse in
her head feels so strong, rhythmic like a drum as her senses heighten to a
supernatural level. With each beat of her heart and every consecutive breath
requiring more oxygen than the last, her body begins to awaken, feverishly hot,
aching for release. In one fluid movement, she pushes off the floor, spinning
herself around underneath the crouching man. Her foot connects swiftly and
severely to his throbbing unit, kicking him off of her, catapulting his body
across the room into the adjacent corner. He whimpers with the contact. With
the speed of light, she covers him with her paranormal frame, winding the same
piece of nylon rope he used on her around his neck, rapidly concocting a
slipknot at the end for more efficient use.
She
crouches over his debilitated body, surely in shock. “Do you know what happens
to a woman when a filthy pig like you touches her? Do you!” She tightens the
cord, smiling down at the fear in his eyes. “She loses her soul. It dies a
little more each time she has to shower to wash your filth away...and every
time she wakes from a nightmare with the image of your sweaty body leaning over
her...until one day she can’t find it anymore.”
He closes his eyes, tears trickle down the
sides of his face.
“Oh,
you’re going to try the crying bit,” she bites sarcastically. “Did Aubrey’s
tears stop you? How many souls have you taken?”
He remains quiet, his eyes squeezed shut.
“What’s
the matter, cat got your tongue?” She roughly pats the side of his face.
“That’s okay. You don’t have to answer. I’ll find out soon enough.” She pulls
tightly on the cord. “Open your eyes.”
He shakes his head.
“It’s
retribution time my friend. I’m here to take what’s left of your soul. Let’s
see if you have one. Open your eyes. Open your eyes!”
Startled,
he does as she commands. At first contact with hers, emerald green and
sparkling, he’s locked in, physically unable to close his eyes or divert them in
any way. Image after image, her mind and heart take a beating, reliving all the
nauseating deeds he’s done. Bodies abused, souls left scarred and broken, he
has left his mark. With each innocent face that flashes before her, she
tightens the noose until the life leaves his body. His soul finally
extinguished. Retribution delivered.
After readers figure out who the Vigilare with the sparkling
emerald green eyes is in book one, we move onto the second book in the series,
which is my newest release, Vigilare: Hell Hound.
Mind you, once the Vigilare figures out she is, in fact, the
Vigilare, an internal tug-of-war ensues. She is not proud of the things she has
done in the mind and body of her alter ego. Left with no choice, she is
begrudgingly swayed into accepting her position, on one condition: She must
avenge the deaths of her husband and her son.
Now accepting of her role,
Vigilare is propelled into a twist on Greek Mythology's Cerberus―Hell Hound―a
rival Vigilare with fire capabilities. ETNA harbored her blood. Have they
created a monster they cannot control?
The action spurs from Vanguard to
the Big Easy, where the city and its Gambini mafia family are under
siege with Vigilare drones, thought to be created by ETNA, a diversion to
attract and capture Vigilare for their own intent and purpose. When exposed by
a power-hungry ally, Vigilare comes face to face with her past in the form of
her arch nemesis—the hellish one. With references to Mary Shelley’s Frankenstein
and Emily Bronte’s Wuthering Heights, the true Hell Hound is
exposed, weaving a web of deception and suspense so disturbing, climaxing to a
standoff between father and son. Will Vigilare surrender her role, sacrificing
her immortality to stop Hell Hound? The second in a trilogy, Vigilare: Hell
Hound―when power is given, the true testament of one's character will rise.
The thing I love about Vigilare:
Hell Hound is that it toys with the idea of madness and how one arrives at
such a juncture. You know, how much can a man tolerate before he crosses that
hairline between sane and insane. And the addition of newcomer, Maxim Kiesel,
the steel blue-eyed prodigy graced with icy powers may very well be the
antidote, or the ultimate traitor. I had great fun playing with the notion of
fire and ice. Do you quench fire with ice? Or do you fight fire with fire? And
the trifecta of colors…emerald green, violent red and steel blue, provided a
whole new set of research. Who knew colors had so much meaning!
“I love the science and the folklore entwined in this
series. James has written an intriguing premise, with an ending reminiscent of
Anne Rice's Taltos chronicle.” –Amazon Review
Excerpt
from Vigilare: Hell Hound:
“Did you say Hell Hound?” Tony
ignores his encouragement, questioning his previous reference to the red-eyed
Manny Briggs.
Dr. Godfrey nods, his
expression sincere. “Red…dark red symbolizes fire, anger, rage, malice, wrath,”
he takes his time, fully enunciating each word, driving home its definition.
“ETNA is sending a very clear message. Are you familiar with Greek mythology,
Detective?”
Tony looks at him perturbed, as
if he should already know the answer.
Dr. Godfrey holds his hand up,
bowing his head, accepting his foul on the play. “In Greek mythology, Hades is
the god of the underworld. The devil, one may conclude.” He scrunches up his
nose hoisting his spectacles nearer to his eyes as he situates himself closer
to the recliner’s edge. “A Hell Hound is a hound of Hades, or a dog of Hell in
the literal translation. They are the guards to the underworld, relegating who
is sucked in and who is declined access.”
Tony rolls his eyes, tiring of
the extravagant explanation.
Dr. Godfrey nods, acknowledging
he will orient toward a more direct point. “As described in legends, Hell
Hounds have glowing red eyes and supernatural abilities. They’re rarely seen,
very phantom-like. They may appear as if out of nowhere and vanish with the
blink of an eye. An elusive creature. Hell Hounds are associated with fire and
often have fire or heat-based abilities.”
A big THANK YOU to Bastard for hosting me! If you find
yourself in the market for a paranormal thriller, I hope you will give my Vigilare
series a look.
Vigilare: Hell Hound, Kindle release May 1. Print
release June 1.
Find both Vigilare & Vigilare: Hell Hound
on Amazon @ http://www.amazon.com/Brooklyn-James/e/B004RCCD7U
Finding Brooklyn James:
Brooklyn James is an author/singer/songwriter inspired by
life in the Live Music Capital of Austin, Texas. Her first novel, The
Boots My Mother Gave Me, has an original music soundtrack and was chosen as
a Quarter Finalist in the Amazon Breakthrough Novel Awards. Brooklyn holds an
M.A. in Communication, and a B.S. in both Nursing and Animal Science. The Vigilare
trilogy is an adaptation from a short narrative film. She is currently working
on the last novel in the series, as well as another book and music soundtrack
combination. All songs from the soundtracks are written/co-written and
performed by the author. Listen free at www.brooklyn-james.com or www.facebook.com/BrooklynJamesSinger.
“Brooklyn James' soundtrack to her novel The Boots My
Mother Gave Me does more than give a clever feminist twist to the title.
Her songs serve as chapters themselves, underlining James' deft ability as a
storyteller and songwriter” –Margaret Moser, The Austin Chronicle
Labels:
Bastard Giveaway,
Brooklyn James,
Guest Post,
Vigilare
Friday, August 3, 2012
Bastard Reaction: Chocolate (2008)
I've been watching a bit of martial arts movies as of late, and for the most part I've been conditioned to ignore storytelling flaws in favor of well choreographed kickass action. The 2008 Thai film Chocolate was no different, but all told one of the better stories of the ones I've seen lately. It was directed under the capable hands of Prachya Pinkaew famous for his Ong Bak and The Protector movies. It also featured an impressive up-and-coming martial artist Yanin JeeJa (also known as Yanin Vismitananda) making her acting debut.
Taking a page from Shakespeare's Romeo and Juliet, two members from rival gangs fall in love with each other; Japanese yakuza Masashi and Thai gang member Zin. Thai mob boss was having none of this, in part out of jealousy, and forbade the relationship under the threat of death. Masashi was forced back to Japan to keep the peace, leaving the now pregnant and out of favor Zin to manage on her own. Zen is the autistic daughter of this union, who has an uncanny talent to learn by imitating other martial artists. Now in their teens, her adopted brother who helped raise her finds an old ledger detailing people who owe money to Zin. Well, Zen and her brother go on a dangerous and violent journey to collect the money which their mother needs for her cancer treatment.
I've always been fond of stories with kids kicking ass. Given, it requires quite a bit of suspension of disbelief, but what the heck. Though the story is not all that polished, and a bit disjointed at times, I couldn't help but applaud the attempt to tell a meaningful story amid a movie that's non-stop action once it gets going. And the action is quite impressive.
Since the success of Crouching Tiger, Hidden Dragon (and probably even before then), it seems like there's an obsession of using "wire-fu" to depict the amazing and transcend the limits of the human body. Personally, not a fan of it, though can be appreciated from time to time. But when I go looking for a martial arts movie, I'm more interested in seeing the raw effort, something that looks real; and it's even more impressive.
Chocolate was just what the doctor ordered. No wires, and apparently no stunt doubles, and the result was one of the most awesome efforts of martial arts I've had the pleasure of watching on film. Violent and exciting. In the end credits it features one of the most incredible, and honestly a bit disturbing, set of bloopers I've ever seen. It makes you appreciate what the actors went through to get this movie done. I don't know how people survived this movie, and I'd be interested to know how it compares with the stunts done in other countries, like say...United States.
Yanin JeeJa, who plays the autistic Zen, was a pleasure to watch. Nothing to say about her acting, but she looked great in the action sequences. Particularly impressive as she went imitating various big shots in martial arts cinemas, Bruce Lee, Jackie Chan, and Tony Jaa who stars in various other Pinkaew films, and holding her own against bigger and older opponents.
Next time your are itching for a bit of action and martial arts, don't hesitate to grab a copy of Chocolate. Amazing choreographed fights balanced with a touching story of love and sacrifice.
Buy or watch Chocolate online here.
Labels:
Bastard Reaction,
Chocolate,
Movies,
Prachya Pinkaew,
Yanin JeeJa
Wednesday, August 1, 2012
Bastard Giveaway: Shadows Before the Sun by Kelly Gay
I've been a fan of the Charlie Madigan series by Kelly Gay, so a bit excited doing this giveaway for two copies of the latest in the series Shadows Before the Sun which was released yesterday July 31st. Here at Bastard Books, between Mihir and me, we've reviewed all the first three books in the series: The Better Part of Darkness, The Darkest Edge of Dawn, The Hour of Dust and Ashes. Hopefully I'll manage to review this fourth one soon.
Between life and death lies a chasm of pain beyond imagining. . . .
Elysia may be a heavenly off-world destination, but beyond it, in the siren city of Fiallan, the Circe have punished Charlie Madigan’s partner, Hank, into a torturous state between life and death. With all the proper legal channels cleared, Charlie heads to Elysia, not knowing what she’ll find, or if she’ll ever see the siren again . . . while at home, jinn crime boss Grigori Tennin has begun an all-out hunt for the divine being Ahkneri. Tennin’s tactics set off a chain reaction that puts Charlie in the crosshairs of the shadowy creature known as Death, and stirs Ahkneri from her long sleep—and if Vengeance awakes, Atlanta will never be the same.Simon & Schuster - Shadows Before the Sun
Participants have to be 18 years of age or older to participate. Void where prohibited by law. Giveaway rules are subject to change.
The giveaway is open for US residents only, and it will run from August 1, 2012 until 12:01am ET on August 14, 2012.
How to participate:
- Once logged in to the Rafflecopter, enter your email to officially enter the giveaway.
- One entry per person, or face disqualification.
- Entries accepted until 12:01am ET on August 14, 2012.
- 2 paperback copies of Shadows of the Sun, 1 for each winner.
- There'll be 2 winners total.
- Will have to confirm email to be considered a winner within 48 hours of August 14, 2012.
- Additional entries may be had by following the steps provided in the Rafflecopter instructions, and only by doing those steps.
- Winners will be chosen by random selection using the Rafflecopter.
Good luck everyone! And it's been a year since starting the blog, so thanks everyone for sticking around. Hopefully I'll be around a year from now too.
Friday, July 27, 2012
Takami Koushun's Battle Royale on The CW?
Yesterday it was reported on the L.A. Times that the famous Japanese story, Battle Royale is being sought by The CW to adapt it to a TV Show on its network. My first reaction, was "fucking awesome!," but then I did a double take; The CW?
You see, Battle Royale is one of the most disturbing stories to ever hit the mainstream. What began as a novel by Takami Koushun, has been adapted to a Japanese film and manga (with sequels) to the glee of many, and to the horror of others. The film had long been speculated to be banned in the US, while inaccurate, it's true that fears of the repercussions of the movie reaching America prevented the movie of being distributed.
It was understandable. American society has become quite sensitive to issues that involve school violence and abuse. What would be the reaction to a story that involved students killing each other, beating the shit out of each other, among other twisted and disturbing scenes? All in its graphic violence glory. Thankfully, we now have a very nice blu-ray edition that came out in 2012. Do yourself a favor, and grab a copy, but certainly not for the faint of heart and those easily offended. Only for the curious of the twisted.
So why the major interest now? Well, those who have any knowledge of the Hunger Games phenomenon have probably stumbled upon the comparisons being made to this Battle Royale, and it doesn't take a rocket scientist to see the potential for the mighty dough. But to The CW? I have a hard time seeing a proper adaptation being made. I mean, if it was HBO or Showtime, then I'd be more than ecstatic despite the whatever would get lost in translation as the story is Americanized.
Still, I can't help to be curious of what The CW might do with it if it gets its hands on it. I can't help but assume that they'd turn it to a romantic crap it was not meant to be to attract their demographics. Yet I see some of their attempts to be a bit edgy, with their Nikita adaptation, the recent Ringer show, and the ultra popular Supernatural, and I think it just might work.
Got to ask, Battle Royale to The CW...good idea?
You can buy the Battle Royale novel from The Book Depository.
For now, here's a trailer for the movie:
Labels:
Battle Royale,
News,
The CW,
TV
Guest Post & Giveaway: The Making of a Trilogy by Tim Marquitz
Tim Marquitz is an author that doesn't need any introduction around these parts, but you can always check his interview from a few months ago to learn a bit more about him. Probably more than you'd want to. I invited him to help me get back on track here on the blog, and also to share a few words of his experience so far writing the Blood War Trilogy, whose sequel Embers of an Age was released last month.
Unlike a lot of authors, I’m not married to a single genre. I’m not so concerned with the concept of brand (probably to my detriment) but more so about getting the ideas out of my head, regardless of their style. I want to write, plain and simple. The Blood War Trilogy came about after I was three books into George RR Martin’s A Song of Ice and Fire series. I loved the scope of George’s writing, the feelings he evoked so casually. He inspired me to try my hand at a more epic style of storytelling. As much fun as the Demon Squad books are to write, they’ll never see any critical praise for being great works of literature. While that’s entirely on purpose, I wanted to stretch my writing, to tell a story from a different perspective. Dawn of War was that story. Little did I know how difficult it would be to tell it right.
Caught up in the idea of epic storytelling, I made a number of mistakes with Dawn of War. While I feel the writing is strong, as is the story, there’s an almost forced aspect to it. I was writing an epic not just telling a story. I wanted to explore the world and to show the characters, and the inciting events unfolding, as it all came together. While those aspects mesh later in the book and come together as I envisioned, the early part of Dawn of War might come across as a little tedious as characters and the world is introduced. My viewpoint control was lacking. Used to a much faster paced story, I sacrificed that pacing early on for what I felt was worldbuilding.
Embers of an Age, book two in the Blood War Trilogy, benefits from the lessons I learned with Dawn of War. While the chapters in Dawn were adjusted in order to provide the bigger picture of concept, Embers was streamlined to focus on story. I stopped worrying about the trees and the dirt and moved on to hone the story I was trying to tell. Instead of a book arranged to provide well-timed action scenes, I let my instincts guide the process. I stopped writing an epic and simply started writing. The pacing came naturally after that, action driven by plot.
The biggest change between Dawn and Embers is characterization. One of my strongest suits when it comes to writing, Dawn suffered to a degree from my desire to create the world first, characters second. The writing didn’t highlight the characters like I thought it should have. Embers returns the focus to characterization. Arrin’s stubborn determination now stands out; his desire to overcome his failures can be felt, not simply read. Uthul’s guilt and uncertainty bleed through the words when in Dawn they were just a concept of the storyline. I now feel these characters whereas before they were simply constructs of my imagination.
Embers also benefits from better overall clarity. Some of the plotlines I left vague in Dawn of War are clear now. The unintentional mystery aspect of Dawn (a holdover from the Demon Squad books) has been replaced with what I hope is stronger storytelling. While I didn’t lay everything out for the reader, I tried to sharpen the point of the tale, to clarify the why of it. I realized I was obscuring a part of the story for no reason other than habit.
An Amazon review of Dawn of War hit it dead on by saying the book was wide, but not deep. I didn’t get that sense when I was writing it, but I do now. My focus on worldbuilding took away from the story in a way I hadn’t intended. That said, I feel I had to write Dawn as it was in order to progress to Embers. Dawn of War is the foundation of the world the trilogy exists in. Embers builds upon that core but it feels as though it takes a more natural course.
I understand now what I missed when I was first inspired to write the trilogy: layers. There isn’t just one aspect that makes a story epic, but several, all wrapped together and seamlessly joined together. Dawn of War had a few superficial moments of detail as I attempted to build the world without completely understanding the process I was undertaking. My vision is much clearer now.
Dawn of War was a learning experience, its lessons making Embers of an Age a much better book for my having to take a critical look at what I did wrong in creating Dawn. I’m looking forward to writing the final book in the trilogy because Embers was just as much an eye-opener for me as a writer. I can’t wait to see where the story takes me from here.
For those interested, Dawn of War which is the first in the trilogy, can be grabbed for free for a limited time. Perfect opportunity to jump on this series if it has ever piqued your interest. It's a series that has me curious mainly because I haven't read any of it yet, and it's different from other books he's written so far. So here is Tim sharing a bit of what he's learned since he began writing this Dark Epic Fantasy series. Also, don't forget the giveaway at the end of this post!
The Making of a Trilogy
Caught up in the idea of epic storytelling, I made a number of mistakes with Dawn of War. While I feel the writing is strong, as is the story, there’s an almost forced aspect to it. I was writing an epic not just telling a story. I wanted to explore the world and to show the characters, and the inciting events unfolding, as it all came together. While those aspects mesh later in the book and come together as I envisioned, the early part of Dawn of War might come across as a little tedious as characters and the world is introduced. My viewpoint control was lacking. Used to a much faster paced story, I sacrificed that pacing early on for what I felt was worldbuilding.
Embers of an Age, book two in the Blood War Trilogy, benefits from the lessons I learned with Dawn of War. While the chapters in Dawn were adjusted in order to provide the bigger picture of concept, Embers was streamlined to focus on story. I stopped worrying about the trees and the dirt and moved on to hone the story I was trying to tell. Instead of a book arranged to provide well-timed action scenes, I let my instincts guide the process. I stopped writing an epic and simply started writing. The pacing came naturally after that, action driven by plot.
The biggest change between Dawn and Embers is characterization. One of my strongest suits when it comes to writing, Dawn suffered to a degree from my desire to create the world first, characters second. The writing didn’t highlight the characters like I thought it should have. Embers returns the focus to characterization. Arrin’s stubborn determination now stands out; his desire to overcome his failures can be felt, not simply read. Uthul’s guilt and uncertainty bleed through the words when in Dawn they were just a concept of the storyline. I now feel these characters whereas before they were simply constructs of my imagination.
Embers also benefits from better overall clarity. Some of the plotlines I left vague in Dawn of War are clear now. The unintentional mystery aspect of Dawn (a holdover from the Demon Squad books) has been replaced with what I hope is stronger storytelling. While I didn’t lay everything out for the reader, I tried to sharpen the point of the tale, to clarify the why of it. I realized I was obscuring a part of the story for no reason other than habit.
An Amazon review of Dawn of War hit it dead on by saying the book was wide, but not deep. I didn’t get that sense when I was writing it, but I do now. My focus on worldbuilding took away from the story in a way I hadn’t intended. That said, I feel I had to write Dawn as it was in order to progress to Embers. Dawn of War is the foundation of the world the trilogy exists in. Embers builds upon that core but it feels as though it takes a more natural course.
I understand now what I missed when I was first inspired to write the trilogy: layers. There isn’t just one aspect that makes a story epic, but several, all wrapped together and seamlessly joined together. Dawn of War had a few superficial moments of detail as I attempted to build the world without completely understanding the process I was undertaking. My vision is much clearer now.
Dawn of War was a learning experience, its lessons making Embers of an Age a much better book for my having to take a critical look at what I did wrong in creating Dawn. I’m looking forward to writing the final book in the trilogy because Embers was just as much an eye-opener for me as a writer. I can’t wait to see where the story takes me from here.
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Wednesday, July 25, 2012
Bastard Reaction: The Emperor's Knife by Mazarkis Williams
"Ambitious" is often the word I've seen used to describe Mazarkis Williams' debut novel, The Emperor's Knife. I find myself agreeing with that assessment. It's the first of The Tower and Knife Trilogy, which I recognize to be a fitting describer alluding to multiple aspects of what's found within the pages, and perhaps hints at what's to come.
The Cerani Empire faces its greatest threat, an epidemic spreading through the population that allows an unknown enemy, the Pattern Master, to take control of them; the pattern has now reached the body of the Emperor. Few know of this latest predicament, and with the fear of losing the empire, a chain reaction has placed protagonists in the middle of schemes and conspiracies of treachery and power play. Eyul, an aging assassin is tasked with a quest in an attempt to unearth the nature of this epidemic, while he struggles with his conscience as he ruminates on heinous deeds he's done in the name of the empire. Mesema, daughter of a clan chief in the northern plains, is the subject of an arranged marriage and handed to a Cerani general who'll escort her to her intended prince, while conflicted with her self-interest and the sacrifice she's to make as the fate of her clan and that of the empire rests upon her. Prince Sarmin, sole surviving sibling of the Emperor, waits for his intended bride in the tower he's been imprisoned in since his childhood where few even know he exists, and he engages in a private war with the Pattern Master, or maybe he's simply battling his sanity.
The story, much like the characters that experience it, is multifaceted and complex. It's natural to compare it to a Chess game, particularly given the Settu game explored in the novel which has similar qualities. The board is mainly controlled by side characters whose machinations propel the story forward without realizing that they may be "pawns" in someone else's game. As such, other than a few exceptions, it's hard to pin point characters as antagonists in the story, particularly when Mazarkis did such a great job in giving sympathetic aspects to some of them. While motivations were not always clear, it was with little effort with which I managed to put myself in their shoes.
The story is set among deserts, camels and horses are used for travelling, you have caves in the periphery, and the plains with their clans. There's a clear gender divide, culminating with the Emperor's harem, where women have been placed predominately in roles of baby-makers. With fertility comes social standing, and it's interesting to see how similar the empire and the clans from the norther plains are in this regard despite being completely different culturally. I also found it curious how in some instances women could be used to show a sign of strength, yet also to illustrate perceived weaknesses. Following that, it was amusing how they were empowered throughout the novel given this setting and society, using their resources cleverly and in unexpected manners that affected the events of the story in considerate ways.
Pace was a bit of an issue for me, particularly with two parallel storylines dominated by travelling through the desert during a good portion of the novel. It included an action heavy scene that didn't do much for me, which was one of the longest sequences in the novel, albeit an important one. In part because I had trouble grasping the magic system, particular with the use of patterns, and the role of religion in this world. Might just be a failure as a reader, but I found the magic hard to comprehend, in this context, and the religious aspects a bit ungrounded or simply hard to distinguish. The latter served a bigger role towards the concluding portion of the novel than I had envision.
I also thought the blurb found inside the cover jacket was problematic, particularly as it comes to how it influenced my expectations of what I was about to read, but found it to not be representative of the story. Let's just say that portions of the blurb are of less importance than what it leads you to believe, and some of the alluded events don't occur until past the halfway point of the novel. I know I struggled to give the setup of the story above, so I won't give them much grief over it.
While we're at it, I felt there was too much happening "off screen" and left unsaid. As such, some of the progression didn't seem natural. For example, characters that are enemies suddenly becoming friendly once we return to a respective POV, and we're left with a dynamic of playing catch-up while Mazarkis gives us a brief run-down about the change in their association. If I were to speculate it was a measure to make the novel more concise, and considering the pace it might have been for the best at the end of it all.
I really enjoyed reading The Emperor's Knife, despite what my criticisms above might suggest. This world is quite brutal and violent. Not an action heavy novel, as drama dominates the book, it still has plenty going about, and at times quite ruthless. Mirroring the action, I loved how relationships were portrayed. There was an inevitability and matter-of-factness to it which I found refreshing. Some pairings might seemed a bit rushed, but I thought them fitting when considering some of the circumstances and the tone of the novel.
In the limited scope we've been exposed to you can see the potential this world has. I don't know how much of it we'll get to explore in this trilogy (assuming those plans remain unchanged), but there has been some glimpses that could make this a special place. Despite my problems understanding the magic and religion, I think there's an underlying awesomeness to it that I really can't wait to learn more about.
The story itself is nothing groundbreaking, but the sum of the parts makes it a compelling one. While some aspects were a bit too transparent and predictable, it was balanced with quite a few interesting twists. Some good characters to be found, but I found that Sarmin stole the show and I'm sure he'll be a favorite of many. One of those few amazingly unique characters one has the pleasure of discovering.
While this might not be my favorite 2011, but certainly among the favorites, in my opinion Mazarkis showed he/she might just be the most talented writer of the ones I read. I found Mazarkis' words to have a great flow and rhythm to them, and a way of mixing bluntness with the subtle. There's a particular passage that really got to me as there's a character ruminating on how there are different ways to lose your innocence, and considering some of the recent happenings, it really has stayed with me. Needless to say, that it was one of the many examples of Mazarkis' writing that impressed me and I know that I'm missing out on some of the passages that probably required a bit more work from the reader.
The Emperor's Knife is a book I envision having great support and it's fair share of detractors. I think it's a novel that requires patience, but in my opinion the payback is or will be worth it. As mentioned above, Mazarkis is a talented writer, that at the very least one should keep an eye out for regardless of the opinion of this particular installment. As for myself, I'm counting the days until Knife Sworn.
Buy The Emperor's Knife from The Book Depository: paperback or hardcover.
Please visit Mazarkis William's blog and follow him/her on Twitter for some good insights and information about his/her work and the world we live in.
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